KING WITHOUT AN EMPIRE is the second novel by Canadian writer, Paul Collins. A freelancer in the film business since 1994, Paul’s first book, PRESCIENCE RENDEZVOUS, came to him in a dream. KING WITHOUT AN EMPIRE is a mix of science/speculative fiction exploring topics that are right at home on TDG.
Michael Bassett is a multi-billionaire entrepreneur, Richard Branson style. He’s an arrogant, materialistic narcissist, an uber-Gordon Gekko. It’s a case of the bigger they are, the harder they fall, and Bassett crashes in spectacular fashion. He has an epiphany after the death of his girlfriend, and becomes obsessed with traveling to another world. With unlimited resources, Bassett gets his wish, enlisting scientists to build a spaceship that would make Doctor Who envious. Bassett and his team arrive at an earth-like planet in the Alpha Centauri system, and what they find is a mind-blowing surprise.
Paul Collins has many brilliant ideas, and he writes with an infectious enthusiasm. KING WITHOUT AN EMPIRE is packed with alternative topics – secret Nazi technology, CIA conspiracies, hallucinogenic drugs, alien life-forms, secret societies, and much more. Collins is never self-indulgent with these topics, and every one of them is in the novel for a reason. Many readers will enjoy going off on tangents to explore the topics, and it’s one of the author’s strengths.
Unfortunately KING WITHOUT AN EMPIRE can at times be a confusing, messy, and unfocused novel with poor grammar and punctuation. There are many parts of the narrative that are sorely underwritten, and need to be expanded and fleshed out. On the other end of the scale, Collins can give us too much exposition, especially for minor characters who really shouldn’t get so much focus. When we need insight into Bassett’s thoughts and feelings, or a progression of the narrative, we get a personal history of a limousine driver instead, exposition that includes everything from the kitchen sink to their mother’s brother’s lover’s niece’s former room-mate. The novel is far more effective and engaging when Collins sticks to the main characters and plot, and to the author’s credit there are parts of the novel where he does exude discipline and focus.
A major strength of KING WITHOUT AN EMPIRE is Michael Bassett. Clearly the love-child of Gordon Gekko and Richard Branson, he makes a refreshingly original protagonist. His materialistic arrogance is utterly despicable, yet you can’t help but want to know more about him. Bassett’s journey forms the spine of the novel, and Collins enriches it with Eastern mysticism. What begins as a material journey soon becomes one of the mind and spirit. With an ending reminiscent of Stanley Kubrick’s 2001: A Space Odyssey, you may have to reread passages to fully understand the depth of Collins’ ideas, but the effort is worth it.
There are missed opportunities in KING WITHOUT AN EMPIRE. The construction of the flying saucer is never described, and Bassett’s acquiring of elite scientists is a little too convenient and easy. Relationships between the scientists and Bassett often play second-fiddle to the mind-bending ideas and topics Collins’ draws his inspiration from, although this isn’t necessarily a bad thing. The vast oceanic life-form of Pangea is one example where Collins exceeds his potential, creating a memorable piece of scifi that’s rare in today’s market.
If you don’t mind an endearingly messy and bewildering novel that continually runs off on tangents, then give KING WITHOUT AN EMPIRE a go. Uniquely imaginative, it’s an ambitious and enthusiastic novel full of mind-expanding, fresh ideas. It may be several drafts away from a professional standard, but in a world where kitsch sells, it’s great to see an aspiring author do something passionately different.
Two and a half Holy Grails out of five.
KING WITHOUT AN EMPIRE is published by Publish America, and is available to order from Amazon (US or UK).