Irish poet William Butler Yeats is perhaps the most well-known member of the Hermetic Order of the Golden Dawn, the influential secret magical society which originated in the late 19th century (and still exists in a number of forms today). Yeats was initiated into the order in 1890, taking on the magical name Demon est Deus Inversus—"the Devil is God Inverted." As the order fell into chaos in the early 20th century, Yeats struggled to keep it intact, but he eventually left the offshoot Stella Matutina temple in 1921.
In 2009, noted Tarot author and scholar Mary K. Greer blogged about an exhibit at the National Library of Ireland showcasing a number of Yeats's Golden Dawn tools and writings, including pages from his private magical journal. The exhibition is still online and I encourage you to view it here (although it is build in Flash and employs a clunky navigation system). Navigate to "Interactive" then click on "The Celtic Mystic" to see the showcase.
I also recently acquired a copy of the out-of-print and rare book, Yeats, the Tarot, and the Golden Dawn by scholar Kathleen Raine (The Dolmen Press, 1972), and was astonished to find it contained several black-and-white photos of Yeats's hand-crafted elemental weapons (magical tools).
In the above image, clockwise from top left, are: the chalice (representing the element of Water); dagger (representing the element of Air) and lotus want (a general "all-purpose" wand); magical sword and sheath; and the Fire Wand.
Another photo, this one from the National Library of Irelands exhibit, shows Yeats's hand-constructed and painted Pentacle, which represents the element of Earth. You can see his magical motto, Demon est Deus Inversus, painted on the pentacle. All of the magical tools are inscribed with Hebrew names of angels, and some (noticeably the cup) feature the sigils constructed from their names (the odd geometrical figures). This image comes from the collection at the National Library of Ireland:
It is still quite thrilling to see Yeats's drawings in the notebook illustrating his progression through the grades of the order. Here, he has sketched and painted the angel
Michael Auriel. [An earlier version of this article stated the angel was the Archangel Michael, but someone on a Golden Dawn forum caught the mistake.]
And a beautiful gallery of pages from a Golden Dawn notebook from Yeats's uncle, George Pollexfen, can be found on Flckr, too.
The full story of Yeats and his involvement with magic and the Golden Dawn is covered in a number of books and online, but seeing these magical tools and drawings—carefully constructed and painted by the great poet himself—really brings the tradition alive.
In a field in England, in the East Riding of Yorkshire to be more precise, amid the grass and nettles there stands a lone curious 24 foot (7.3 metre) red brick obelisk. Constructed more than 200 years ago, the column has, appropriately enough, something of a cartoon space-rocket about it. A plaque set into one face reads
Here On this Spot, Decr. 13th, 1795 Fell from the Atmoſphere AN EXTRAORDINARY STONE In Breadth 28 inches In Length 36 inches and Whoſe Weight was 56 pounds.
The "EXTRAORDINARY STONE" arrived during a thunderstorm and landed two fields from Wold Cottage, which was at the time home to a magistrate named Major Edward Topham. It was Major Topham who would go on to have the obelisk constructed in 1799. The stone created a hole 3.2 feet (1 metre) in diameter, embedding itself firmly into a layer of chalk bedrock beneath the soil. Topham's shepherd was within 450 feet (137 metres) of the point of impact. Nearer still was labourer John Shipley, who signed a deposition published alongside a reprinted letter by Major Topham in the Gentleman's Magazine for July 1797 stating that
He was within eight or nine yards of the stone when it fell, saw it distinct seven or eight yards from the ground, and then strike into the earth, which flew up all about him, and which alarmed him very much.
The Wold Newton Meteorite was the largest ever observed to fall in Britain, and is the second largest recorded in Europe (the largest being the Ensisheim meteorite which in 1492 landed in a wheat field in what was then Alsace). The great scientist and occultist Sir Issac Newton - not yet seventy years in his grave when the stone landed in Yorkshire -had famously stated that
To make way for the regular and lasting motions of the planets and comets, it is necessary to empty the heavens of all matter.
In other words, that there was no room in his model of space for free floating objects such as meteorites. Having formulated the Law of Universal Gravitation, Newton's ideas were generally taken pretty seriously. Consequently when the Wold Newton Meteorite was put on display in London in 1797 many took pleasure in deriding it as a fake, or at best a piece of debris thrown into the air by a volcanic eruption (which was, needless to say, unlikely in Yorkshire). The then president of the Royal Society of London, Sir Joseph Banks, was interested, however. Working with the chemist Edward Howard, Banks ... Read More »
HENRi is an emotionally powerful short film, which explores human existence at the most fundamental, personal level—what it means to be a conscious individual.
Hundreds of years in the future, a derelict spacecraft, controlled and powered by a human brain, floats aimlessly in the outer reaches of space. HENRI, the name of the ship's power system, is an acronym which stands for Hybrid Electronic / Neuron Responsive Intelligence, and was the first of Earth’s Neuro-Tech space exploration research vessels. Trapped in the cold, mechanical prison of the vessel, the “brain,” which has no recollection or concept of self, gradually begins to experience disjointed images of its former life—images it cannot understand. Carrying the remains of a crew long dead, and becoming increasingly self-aware, HENRI experiences the instinctual desire to be free. Yearning for freedom and yet unable to move, the brain devises a plan to build itself a mechanical body from parts of the ship. Maybe then it will understand the images it is seeing—maybe then it will feel alive.
This twenty minute and change short film will bring all the feels if you've developed any empathy for the machines. Perhaps, like me, you are longing for the arrival of a proper Culture universe, as written of by the great prophet, Iain M. Banks. Maybe you've long internalised the directive that “the only way out is through”; that there is no Rise of the Machines style apocalyptic scenario coming, only the next stage in the hominid line's continual coevolution with its tools.
If you're like me, these are the things that come to mind when watching this short. That it, along with other great recent online videos, Wanderers and Ambition, serve as recruitment material for the Great Extropian Adventure, just as Silent Running was said to have been the unofficial video for Earth First! back in the 1970s. A vision to help chart a course through the current extinction crisis towards a twenty-second century full of sentient beings in space; a living universe populated with the physical and virtual, human, machine and animal, and multiple combinations of them all. And that's just for starters. Science only knows what comes after that. Which might seem like quite a burden to place on what's really just one person's high concept Foundation universe fan-fic.
Let's assume by this point you've watched the short film. A properly observant and literate sci-fi fan will note this video features several elements that suggest ... Read More »